Press Release: Talent announced for inaugural STORYHOUSE screenwriting festival
Poor Things is Conscious Cinema
Go tobann; Gaeilge is cool. How the Irish language is changing the face of the Irish film industry
All Of Us Strangers: Marketing a tragic tale as a thirst trap
Film distribution: How the COVID-19 pandemic illuminated challenges facing the ‘invisible link’ in the film value chain
Live Academy Awards Nominations 2024: Film For Thought’s Take
The evolvement of Ireland’s National Cinema: From a malleable outsource hub, towards a legitimate indigenous cinema
The Taylor Swift Effect: The changing relationship between cinemas and film distributors
The A24 case: when film distributors become brands
Film For Thought Industry Pulse: So This is Christmas, Swift Segues and the Box Office Never Lies
Friends and the Chandler Bing Effect: A 90s hit worshipped by millennials
Martin Scorsese: Cinema’s heavyweight champ weighs in on the future of film
I Know What You Did Last Weekend: An Honest review of the Barbie & Oppenheimer Double Bill
Imagination, life is your creation: the most innovative movie marketing campaigns of the Summer
MUBI: A hand-picked leader for the next phase of streaming
Aftersun: introspection is the aloe vera after a week in the sun
Warning: The cynic says that movies are good these days
Bullet Train: When an ensemble caper doesn’t run out of steam
You can’t repeat the past. Hollywood thinks otherwise: How nostalgia is this year’s biggest trend
Oscars: When a slap plays a leading role
FILM FOR THOUGHT 