Venice Film Festival: The Card Counter plays the long game
The French Dispatch makes the Connection
Bi Sang Seon Eon 비상선언 (Emergency Declaration): A Bioterror Thriller Can’t Fool a Pandemic Audience
Festival de Cannes: France by Bruno Dumont
Back to Barrytown: The Northside Trilogy
Fasten your seatbelts, it’s going to be a bumpy night: Why the future of the Oscars is in jeopardy
How Individualists, Creatives, Beatniks and Artists in Hollywood briefly took back the reins in the Seventies
Marketing Complexity and Grief: Oscars 2021
There’s no place like the IFI at Home
I am big, it’s the pictures that got small!: The ominous paradigm shift from the big screen to the small screen
Cancelling Creativity: What Cancel Culture is doing to the Arts
As far back as I can remember I always loved Goodfellas: 30 year anniversary
Ten things wrong with Tenet
Marketing’s Role in the Escalating Streaming Wars – Part 1
“And..cut,” How the entertainment industry is pivoting now the cameras have stopped rolling.
On the List – Quarantine Classics
Movie Memoirs: Reviewing the best Hollywood autobiographies
One for the Little Fella: Ireland on Screen
Round Up the Usual Suspects: Marketing a Best Picture Oscar Campaign
Against All Odds: Why Parasite (Gisaengchung) Should Win Best Picture
