Blue Velvet: Watching suburban horror with an audience at the Prince Charles Cinema London
Category: Reviews
NEON, Oscars and Embracing Horror: Film for Thought Weekly News
The year I stopped avoiding the Horror genre…
Why you need to be on Letterboxd: The Twitter for Cinephiles
Auteurs: David Lynch and the return of auteur cinema
A Complete Unknown: Bob Dylan remains an enigma, but the audience doesn’t mind
What news of Rome? Gladiator II Review
This is a Public Service Announcement: The problem(s) with Megalopolis
Beetlejuice and Wicked: The elusive ‘four quadrant’ film
Between the Temples: The Indie Darling of the Year
Fly Me to the Moon: In other words, a dazzling period rom com
Kneecap: Rebellious Irish language film debuts at Sundance London
Hit Man a delightful summer comedy: Q&A with director Richard Linklater
The last of… the Cannes Film Festival Diaries: Rumours fly, Horizon just sets up the next film and The Apprentice shines
‘The Apprentice’ Donald Trump’s origin story debuts at Cannes: If you’re indicted you’re invited
Best Irish Film of the Year ‘That They May Face the Rising Sun,’ in UK and Ireland cinemas today
On the Waterfront: 70th Anniversary
The Zone of Interest: A beautifully ugly film
Press Release: Talent announced for inaugural STORYHOUSE screenwriting festival
Poor Things is Conscious Cinema
FILM FOR THOUGHT 